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"I wanted to make something about a desire so intense that it destroys everything around it," says Oscar-winning writer-director Emerald Fennell of Saltburn, her opulent sophomore psychodrama about class, obsession and longing set in an English countryside estate. "That locust cannibal obsession that I think we’ve all felt about someone that makes you completely lose your fucking mind." In Saltburn, it's Barry Keoghan's humble and unknowable Oxford novice Oliver Quick who feels that fixation. ...
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